Place:Watts, Los Angeles, California, United States

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NameWatts
TypeUnknown
Located inLos Angeles, California, United States
source: Family History Library Catalog


the text in this section is copied from an article in Wikipedia

Watts is a neighborhood in southern Los Angeles, California. It is located within the South Los Angeles region, bordering the cities of Lynwood and South Gate to the east and southeast, respectively, and the unincorporated community of Willowbrook to the south.

Founded in the late nineteenth century as a ranching community, the arrival of the railroads and the construction of Watts Station saw the rapid development of Watts as an independent city, but in 1926 it was consolidated with Los Angeles. By the 1940s, Watts transformed into a primarily working class African-American neighborhood, but from the 1960s developed a reputation as a low-income, high-crime area, following the Watts riots and the increasing influence of street gangs. Watts has become a predominantly Hispanic neighborhood with a significant African American minority, and remains one of the most impoverished neighborhoods in Los Angeles despite falling crime rates since the 1990s. Notable civic activities by residents of Watts include the "Toys for Watts" toy drive, the Watts Christmas parade, and the "Watts Summer Games" athletic tournament, as well as a local theatre and a dance company, in an effort to improve the neighborhood.

Watts is noted internationally for the landmark Watts Towers by Simon Rodia, which are a Los Angeles Historic-Cultural Monument and also listed on the National Register of Historic Places. The neighborhood has also been featured or referenced in numerous forms of media, particularly West Coast hip-hop music, and movies and television shows set in Los Angeles.

History

the text in this section is copied from an article in Wikipedia

The area now known as Watts is located on the 1843 Rancho La Tajauta Mexican land grant. As on all ranchos, the principal vocation at that time was grazing and beef production.

With the influx of European American settlers into Southern California in the 1870s, La Tajuata land was sold off and subdivided for smaller farms and homes, including a parcel purchased by Charles H. Watts in 1886 for alfalfa and livestock farming. In those days each Tajuata farm had an artesian well.

The arrival of the railroad spurred the settlement and development of the area. Most of the first residents were the traqueros, Mexican and Mexican American rail workers who constructed and maintained the new rail lines.

With this new growth, Watts was incorporated as a separate city, taking its name from the first railroad station, Watts Station, which had been built in 1904 on of land donated by the Watts family. The city voted to merge with Los Angeles in 1926.[1]

Watts did not become predominantly black until the 1940s. Before then, there were some African American residents, many of whom were Pullman car porters and cooks. Schoolroom photos from 1909 and 1911 show only two or three black faces among the 30 or so children pictured. By 1914, a black realtor, Charles C. Leake, was doing business in the area.[1] Racially restrictive covenants prevented blacks from living in any other neighborhoods outside of Central Avenue District and Watts.

World War II brought the Second Great Migration, tens of thousands of African American migrants, mostly from Louisiana, Mississippi, Arkansas and Texas, who left segregated Southern states in search of better opportunities in California. During World War II, the city built several large housing projects (including Nickerson Gardens, Jordan Downs and Imperial Courts) for the thousands of new workers in war industries. By the early 1960s, these projects had become nearly 100 percent black, as whites moved on to new suburbs outside the central city. As industrial jobs disappeared from the area, the projects housed many more poor families than they had traditionally.

Longstanding resentment by Los Angeles's working class black community over discriminatory treatment by police and inadequate public services (especially schools and hospitals) exploded on August 11, 1965, into what were commonly known as the Watts riots. The event that precipitated the disturbances, the arrest of a black youth by the California Highway Patrol on drunk-driving charges, actually occurred outside Watts.

Watts suffered further in the 1970s, as gangs gained strength and raised the level of violence in the neighborhood. Between 1989 and 2005, police reported more than 500 homicides in Watts, most of them gang-related and tied to wars over control of the lucrative illicit market created by illegal drugs. Four of Watts's influential gangs— Watts Cirkle City Piru, Grape Street Watts Crips, Bounty Hunter Watts Bloods, and PJ Watts Crips—formed a Peace Treaty agreement, known as the Watts truce on April 26, 1992. Key hallmarks of the pact continue to influence life in Watts to date, with colors and territory having little to do with gang-related crime.

Beginning in the 1980s, those African Americans who could leave Watts moved to other suburban locations in the Antelope Valley, the Inland Empire, the San Gabriel Valley, Orange County and the San Joaquin Valley. The black population in Watts has been increasingly replaced by other demographic groups, primarily Hispanic immigrants of Mexican and Central American ancestry, as well as by a median proportion of Ethiopian and Indian ancestry. This demographic change accelerated after the 1992 riots.

Neighborhood leaders have begun a strategy to overcome Watts's reputation as a violence-prone and impoverished area. Special promotion has been given to the museums and art galleries in the area surrounding Watts Towers. This sculptural and architectural landmark has attracted many artists and professionals to the area. I Build the Tower, a feature-length documentary film about the Watts Towers and their creator, Simon Rodia, provides a history of Watts from the 1920s to the present and a record of the activities of the Watts Towers Arts Center. Watts is one of several Los Angeles neighborhoods with a high concentration of convicted felons. In 2000, singer and actor Tyrese Gibson chartered a foundation to build a community center in Watts.

In 2019, the Watts Towers were a gathering place along the funeral procession from the memorial for Nipsey Hussle at the Staples Center that wound through the streets of South L.A. At times, the crowd flooded the street creating gridlock.

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